L A Y E R I N G    

In most of my work, layering is not a visual effect but a model of reality. I understand reality as something that is never singular, but continuously built through accumulation, overwrite with layers, and partial erasure.

Each layer carries a different temporal state, a trace of what was, what is being covered, and what still remains visible beneath the surface. Through this process, the image becomes a field of coexistence rather than a finished statement.

Painting, for me, is a way of registering these overlapping realities: gesture, memory, and material interact to form structures in which no layer fully disappears. Instead, they persist in tension, creating a space where presence and absence exist simultaneously.

This layered approach reflects my interest in how meaning is formed — not as something fixed, but as something continuously constructed, disrupted, and rewritten over time.